Grumbly Monday…

There are so many places to be online and I want only one. Ideally this blog is my one stop shop. A snapshot of who I am and what I do. So this needs to include photographs. But my relationship with WordPress and images has always been fractious.  The NextGEN Gallery tool did what I wanted. Then something broke and instead of fixing it a new media tool was added.  Now I have to start from scratch when hundreds of pictures of projects and colleagues are already uploaded through NextGEN. The Media tool contains the promise of linking to NextGEN but when I try nothing happens.

MEdia tool with link to NextGEN gallery

 

I create a new Gallery as a slideshow but on the post page I get the message this requires JavaScript – ok, but what next?  Help isn’t helpful if it doesn’t include the information you need to solve the problem.

error message saying the slideshow function needs javascript

I used to like the Social Homes Widget link to my Flickr Photostream. Then Flickr changed format and my account settings split into old and new. Both with the same url. I can move between them in Flickr but the widget only showed old images when I wanted new ones. I added a NextGen Widget to the side bar instead. It gives me the thumbnails I want but they open onto a blank page. I wonder why the tool is still there when it doesn’t work. A Jet Pack image widget only gives a broken link although everything looks like it’s filled in correctly.  Maybe it only takes certain URLs and not others.

Jetpack image widget broken link

This is about digital literacies. I could do better but I do try and I’m not digitally illiterate.  WordPress frustrates me; it always has done. It offers multiple ways to work with images but none of them do what I want. Linking the different elements of your life online should be easier than this. Plus it takes time. There is never enough time and when you can’t achieve your aims it feels time is wasted. I never know if it’s me or the technology but either way the result is too often not doing things because you can’t make them work.

I’ve stuck with this for several reasons. The assessment for the short course Teaching and Learning in a Digital Age is an eportfolio and there are a few other projects across the university looking at WordPress as an eportfolio tool. Text only blog posts are boring. Images can ‘educate, inform and entertain’. They are essential components of any eportfolio environment and I’m interested in how we support eportfolio construction at Lincoln. WordPress is ok. I like it a lot but when it comes to usability I think it could be better. Plus it’s Monday morning – never the best part of the week – and sometimes it’s cathartic to start the week with a good grumble!

politics and power…

My Ethics approval (EA2) was resubmitted and conditionally passed with comments to be addressed. One was about the issue of power. There was not enough of it.

image of text from EA2 comments saying there is not enough discussion of power!

Power is not often on my mind. I know my place. I don’t manage – I scaffold. I liked participatory action research (PAR) as a methodology because it enables collaboration. PAR will test my theories around online learning; namely the student knows themselves best. When it comes to finding ways to support staff engagement with technology for education, the students will be teaching me. I have a toolkit of online learning activities but without participation they won’t get used and learning will be limited. Virtual learning is a partnership. Without communication and collaboration it simply won’t work. Online tutors need to be skilled in creating opportunities for learning at a distance when all the evidence suggests successful teaching is fundamentally a social activity. It’s a challenge and this doctoral research will aid the development of teacher education at Lincoln. So what did I need to say about power?

I’ve had to reflect on this. The Teaching and Learning in a Digital Age (TELEDA) course is heavy on reflection. It’s a teaching tool in itself. Revisiting Freire, I was struck again by the fundamental simplicity of critical pedagogy. The ancient greeks had it sussed. From Socrate’s the unexamined life is not worth living to the words above the Delphi Oracle ‘know thyself’ – politics is and always has been ultimately personal. Why do we do the things we do? Why do we teach? Is it to replicate and reinforce or to challenge and change?

The move towards incrasing blended and fully online courses has the potential to widen participation but also reduce the quality of the experience. Retention figures evidence the difficulty of engaging learners online. Who talks about MOOCs these days? It took less than a year for the bubble to burst.  There are important lessons to learn from MOOCing. Back to power.

I have a problem with the idea I might in some way be disempowering. I’d interpreted PAR as willingness to give power away – after all, it’s inviting critique of my practice. Then I thought about TELEDA’s resources. As well as critical evaluation of the philosophy and practice of open education,  I’m insisting on a critical awareness of digital exclusion. TELEDA is my platform for drawing attention to alternative ways of being and raising awareness of excluded voices.

In an increasingly digital society, to be shut out from the digital platforms of the public sphere is to be marginalised and excluded. Higher education has a responsibility to  seek out and challenge exclusion rather than replicate and reinforce exclusive attitudes and behaviours. The subject of digital access is challenging and uncomfortable. I’m asking participants to examine their own practice for barriers, knowing they will find them and perceive removing them as additional, often unnecessary, work. Who provides audio and video content in alternative textual formats? No where near enough!

I believe inclusion is an essential component of effective digital scholarship and integral to teaching and learning in a digital age. If higher education doesn’t address the causes and mending of digital divides it is failing society. TELEDA is my way of making a difference. I can’t change the world but I can change my part of it.

I can see myself and my PhD may be more political than I realised.

A PhD is for life, not just Christmas!

A phd is like a dog – not just for Christmas – it’s for life. It needs feeding, watering and taking out at least twice a day. The advantage is I don’t have to scoop the poop and there’s no dog hairs on my settee. The disadvantage is it’s sneaking in and taking over – although I don’t mind really. Like dogs have a way of getting through to you, me and my phd are starting to get on. The relationship’s improving; it could be getting serious and it might last for some time.

Over on my PhD page there’s the public side of my PhD journal. It tracks my regular meetings with supervisor Mike Neary; references my reading and contains reflections on the process of engaging with doctoral research. The entries aren’t blog posts but they do sometimes raise issues which are bloggable. At the moment I’m considering my position. Feet on coffee table, laptop on knee is not enough. I have to know where I’m coming from. In phd-ology language this is my ontology and epistemology. In my head it’s contextualization. How much of myself do I put into doctorate?

The answer is more than I anticipated.

I’ve always lived my life in layers. I compartmentalize. Have multiple identities.  What’s exciting is the way the phd process is creating linkages between these layers, in particular how the theme of authorship and text keeps reappearing. I need some time out to explore this.

So excuse me please, I have to walk the dog. I may be some time.

Points of Power…Student as Producer Conference Day Two

Mike Neary Student as Producer Conference

Conferences highlight the value of shared time and place. Mike Neary opened Day Two of the Student as Producer Conference. Disrupting traditional keynote presentation style, sitting behind a table with a hand written notebook, Mike talked about the layers of Student as Producer.  It’s been three years. In that time, the eloquence of Student as Producer has become refined. There is strength in layers and Student as Producer has multiple levels of engagement. It’s also startlingly simple. Involve students in their education. Invite academics to rethink their teaching. Discover how the relationship between teaching and research can be made less dysfunctional.

The thinking needs to be critical. Critical as political, as well as personal. Political thinking takes time. I’m not sure I’m political enough. Engaging with change isn’t easy. Not because changing practice is difficult – it’s the other,  often invisible, requirements.  Time. Motivation. Confidence. Change is resource heavy. We resist less through dissensus over new practice principles, but the weight of workloads, bureaucracy, administration. We rarely live in isolation and our others might not acknowledge the social and institutional crisis or ways to protect, defend and reinvent the idea of the university as a radical political project.

I’m a pragmatist. I want to make a difference – who wouldn’t – but I’ve stopped trying to change the world. These days I focus on my little part of it, using education to raise awareness of digital divides and social necessity for digitally inclusive practice. I’m not a revolutionary Marxist, but the social impact of the internet drives me to challenge digital discrimination as a road to social justice.

Digital scholarship is a strand of Student as Producer. The University is developing a Digital Education Strategy.  Mike talked about the Reinvention Centre at Warwick; its absence of chairs and tables designed to destabilize expectations of an educational environment. There was no power point. Mike says the teacher is the point of power. Today, an internet connection is the point of power. Re-imagining scholarship for 21st century also requires attention to the digital aspects of education, in particular the parameters of access, exclusion and use. Maybe we’re not talking about this aspect of Student as Producer as much as we could.

Student as Producer and OER: enhancing learning through digital scholarship

With hindsight I should have done a workshop. There were more questions than time to ask them. I halved the session; planning 15 minutes to raise issues and 15 minutes to talk about them. On reflection I should have done a pecha-kucha; a mini presentations of 20 PowerPoint Slides with 20 seconds each to talk about them (6.40 minutes in total). A PK would probably work with Prezi. Once, back in 2009, I saw Prezi used well – but never since. Prezi is a classic example of the technology leading practice. It has potential but too often the effect is sea sickness – not what you want to be remembered for.

My presentation suggested Boyer’s strands of scholarship; Discovery, Application, Teaching and Integration now required a layer of digital literacies – only then can we talk about digital scholarship – one of the strands of Student as Producer.  I showed how Embedding OER Practice http://oer.lincoln.ac.uk had created the time and space to talk digital, share digital practice, create enthusiasm for creative commons, for the reuse and repurposing of content, and now the project is over, how I’m trying to preserve some of the energy and enthusiasm for digital ways of working with TELEDA – the new Teaching and Learning in a Digital Age short course 30 M Level CATS – delivered and assessed entirely online.

Maybe my ending should have been my beginning (apologies TS Eliot); the challenge of student use of technology, in particular social media and mobile devices in seminars and lectures. I always try to fit too much in – but there is too much to talk about.

students using mobiles to photograph a presentation rather than taking notes      social media icons

#SasPConf – Student as Producer Conference – 26-27 June 2013

Student as Producer from University of Lincoln on Vimeo.

It’s been three years since the start of Student as Producer; now the organizing principle of the University of Lincoln. The Student as Producer Conference (26/27 June 2013) marks the end of the funded phase of Student as Producer. Opening the conference, Mike Neary, Dean of Teaching and Learning, described the layers of Student as Producer philosophy and practice.

The classroom layer where Student as Producer has influenced the curriculum and its delivery, changing the ways new knowledge is created.

The institution layer where Student as Producer challenges and critiques the purposes of the institution in order to develop and progress an alternative vision of what a university should be.

The broader layer where Student as Producer is a political movement,  protecting and defending the university as for the public good; Student as Producer is an act of resistance to students as consumers and the pedagogy of debt.

As Day Two of the conference begins it can be followed on Twitter #saspconf or via the live conference blog http://saspconf13.dev.lincoln.ac.uk/live-blog/

Testing Xertes2

To say I’m disappointed with Xertes 2 is an understatement 🙁 It used to be up-front accessible – you could change the text size, colour, background etc to suit your own requirements. Xertes original accessibility toolbar

Xertes 2 has lost this. I’ve been told this is now html5 rather than Flash but the Tooltip function on the images isn’t working – not is the magnifier – at least, not in Chrome and I haven’t seen any browser preference specified.   whether I select Default, Full Screen, or Fit Window, the size remains 800 x 600 – unless I alter the Embed Code (see second example).  I may need to experiment more with sizing when creating content –  I worry this is another example of the invisibility of digital divides and prevalence of the tripartite MEE Model of computer access; Mouse, Eyes, Ears. Accessibility features need to be visible and at first sight this looks like a loss rather than gain.

Managing online communication and collaboration

Teaching and Learning in a Digital Age (TELEDA) Learning Block Four covered online communication and collaboration. It was clear from the  discussions the issue of what constitutes inappropriate behaviour is contestable. Personally, I incline towards old fashioned strictness! The internet increasingly supports environments where almost anything goes but this needn’t be the case for virtual learning environments. With my tutor head on – I’d suggest discussion forums are not chat rooms. Unless they’ve been set up for social purposes, they’re forums for discussing issues around teaching, learning and research and guidelines should be in place to maintain that focus.

It’s never too early to encourage students (and staff) to think about appropriate online identity and  boundaries between the personal/private and public/professional ways we present ourselves online including the language used. Students in particular need support in developing digital graduate attributes and awareness of the permanence of digital footprints. Establishing a code of conduct at the outset of any online discussion is good practice. It reminds participants of the purpose of the forum and can clearly state how any explicit or implicit personal criticism is unacceptable. With this in place, and a reminder to adhere to the code with each new topic, the ground rules are set and mark the point where intervention is required. How to manage that intervention is also contentious with different people having different ideas.  There’s no escaping the fact managing online communication and collaboration is a challenge. It is also time consuming. Yet when it works well, online discussion can offer powerful learning experiences through communities of practice where links between participants can remain active long after the course itself has ended.